All of my photographic prints are made on the archival paper, matted, then equipped with anti-reflective glass and framed. These images might be a great decoration for your home, office or store. They also shall create a peaceful atmosphere in mentioned places. Deciding to buy one of my pictures you gain the beautiful gift for your friends, familly or fellows on special occasion like birthday, name-day, Christmas, etc. I personally supervise each printing process, in order to be sure that all of my customers will obtain the museum grade pictures.

Each print is limited to 50 copies of all the sizes, so what you acquire is almost unique. There is not any calendar or poster available with my pictures. Moderate prices of limited edition prints include costs of photo materials, passepartout, museum glass, wood, expended time, effort, certificates of origin, investment in trips and equipment. Please bear in mind that I do not plan to make a fortune on the photography. I just would like to get back a part of my expenses.

Landscape prints offered to customers are high quality, limited edition pictures with certificates of origin. Pictures protected from direct sunlight or fluoroscent light will keep colors, contrast and all details at least 100 years. It is possible because my prints are exposed in the traditional way on the exceptional quality paper, that major features are high contrast, strong resistance to light fading, durability and unique (satin or pearl) surface (depending on picture size). Set in frames museum glass prevents from dust and other impurities, it also blocks UV. Anti-reflective coating of that museum glass prevents optical interference, ensures perfect view and natural colors of displayed pictures. Sold prints are matted with the premium quality, light colored passepartouts. These fade resistant passepartouts are signed by myself. Frames are made of natural wood, usually 2cm (approximately 4/5") wide for A4 prints and 4cm (approximately 8/5") wide for larger sizes. Back of each pictures is a thick carton board, there is a wall mounting system too. Strapes of grey paper are used to cover narrow gaps between the frame and the carton board. They also protect the whole picture from dust. Each picture has its own label on the backside. It provides information associated with the print such as image title, place, image number, copy number (except the first copy), season, date, printing technique, exposure data, used film, etc. Please see examples below:

All prints are created in the traditional way from the very beginning. First images are exposed on color transparency films and then scanned at 4000 DPI on Nikon Colscan 5000 ED. Photos exposed on medium-format transparency films (120, usually 6x7) are scanned on Nikon Colscan 9000 ED. Minor color, contrast and sharpness correction of all raw scans, necessary for the largre format printing are always done by myself. Kodak "C"-Print technology is mainly used for all picture sizes. This well-known process is based upon a color negative and extremely light sensitive silver salts, in order to form the high resolution color images. Landscape prints up to size of A4 (approximately 12"x8") are mainly produced by:

• Agfa D-lab 2 Plus
• Canon iPF8300

Larger sizes, for example A3 (approximately 18"x12") or A2 (approximately 24"x16") are mainly produced by:

• Canon iPF8300
• Durst Lambda 130 Plus

The last is the best digital laser imager ever made. Kodak Proffesional Endura (Supra and Ultra) paper is used for exposing and Canon resin coated photographic paper 240g/m² for high quality large prints. Some pictures look better on matte paper others on glossy one, so what sort of paper I use depends usually on the image features. Each image is printed with a white border to easily fix it in the passpartout. Border (1/5" wide) is precisely covered by the mat, so no one can see it. Passepartouts and carton boards are customized on demand. Picture frames and anti-reflective glass are prepared by domestic manufacturers or craftsmen.

Frames of my pictures are made of natural wood (the african balsa familly, beech, larch) in color of ebony, cherry, light mahogany, alder, beech or similar. For small picture sizes I use ready-made products. The standard procedure then is to exchange shipped glazing with anti-reflective glass. Large wood frames are made individually for the given print. Materials of ICAR Frame Factory or Carlson & Piechocki manufactory are used all the time. A 2mm thick (approximately 2/25") Clear Color (Plus) museum glass, by Nielsen Design GmbH & Co. KG is used for all landscape prints. Landscape prints are matted with acid-free passepartouts of premium quality. A white core matboards of all my pictures are 1.6mm thick (approximately 7/100") and produced by the italian manufacturer Scapi Cartoni s.r.I. and Bainbrige. This mat is recommended for decorating limited edition prints and fine-art originals. For my works I prefer materials in whites like navajo white, ivory, sand, cream, light grey, antique white and similar.

For prints ordering I only accept the bank transfer or cash. Full payment is required in advace. If you are interested in buying my landscape prints, please contact me via email, snail mail or just call me. The order form should contain the image number (e.g. #0037), chosen print size (e.g. A3), expected frame color (e.g dark alder, light beech) and shipping address. My bank account number and other data necessary to finalize purchase are placed in contact section of this web site. If devlivery agent is not selected by the customer I will call Siodemka for domestic shipping and DHL for the internationl one. Images are always well packed and backed by thick carton plates. The whole pack is filled with foam chips. Please keep in mind that it may take 4 - 8 weeks for delivery.